Context
With 'River', 'Stuffed', and 'The Housewife' heading to the Toronto International Film Festival in 2026, it is clear that Nollywood is evolving beyond traditional tropes. Do you think these kinds of experimental or niche narratives will help us win more international awards, or should we focus more on commercial mass appeal to keep the local audience engaged? Let's discuss whether this shift towards global film festival standards is what the industry truly needs right now.
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