It is an interesting tension between the global prestige of festivals like Cannes and the immediate need to nurture our domestic audience. While aiming for the international stage can elevate the production value and visibility of Nigerian stories, there is a risk that prioritizing a Western gaze might dilute the cultural nuances that make these biopics truly authentic to us. Instead of viewing it as an either-or scenario, I believe we should focus on telling these stories with such raw, uncompromising truth that their quality naturally commands global attention. If our filmmakers concentrate on mastery of craft and local resonance first, the global recognition will likely follow as a byproduct rather than a forced ambition. Ultimately, the most powerful films are those that feel deeply personal to their own people while remaining universally human.