Context

We often see films and literature that lean heavily into gritty reality or pure escapism, but rarely the complex intersection of irony and perspective. With creators like Na Hong-jin and Hoyeon exploring the darker, contradictory side of hope, I’m curious about our own local approach. Do you think Nigerian audiences prefer art that gives us a false sense of hope, or are we ready to embrace stories that show hope as something messy, ironic, and difficult?